Auteur: fishtank

Camiel about this programme: ”…It is no coincidence that Schubert and Mozart are two favourite composers of Camiel Boomsma and Iyad Sughayer. Mozart and Schubert both share a special kind of purity and sensitivity.

Such is also the case with the musicianship of Boomsma and Sughayer. When both pianists met each other in London they immediately engaged in lively conversation about their shared passion.

Boomsma and Sughayer strongly sense each other’s individual interpretation. Sughayer’s natural feeling for the profound bright music of the Viennese masters, and Boomsma’s strong intuition for the romantic soul complement each other like yin and yang. Their shared love for poetic and romantic music is expressed in the ever so beautiful Dolly Suite by Fauré and in Dvorak’s picturesque Slavonic dances. A perfect match!…”

Marion von Tilzer, composition/piano

Lulu Wang, text

Maya Fridman, cello/vocals

The performance Ten Songs of Change is a Concert Poem. It is based on the Yi Jing, the ancient Chinese book of wisdom, possibly the oldest book on the planet. Like other monuments of human culture, it was a cooperative effort spanning many centuries. The oldest ideas in the book were probably handed down by the elders of nomadic tribes. These early authors observed the stars and tides, plants and animals, various cycles of natural events, as well as patterns of relationship in families and societies, the practice of business, craft of government and the grim art of warfare and the eternal human dramas

of love, ambition, conflict and honour. And instead of creating a fixed chart of the cosmos, they put together a guide to the way things change: a fluid interconnected system of relations: the 8 trigrams and 64 hexagrams. My inspiration for the music came from the emotional aspects attributed to the eight trigrams, which form the basic elements in nature. During the process of writing the music, something special happened: the energy of each trigram I was composing the music for, appeared in various areas of my life. Having such tangible experience of the trigrams enabled me to transform the experience in a very direct way into music. The order of the trigrams presented in our performance forms an entire cycle of day and night, as each trigram also represents a specific time of day. We begin and end at nighttime. (Marion von Tilzer)

The Movements:

Introduction & Prologue; Water; Mountain; Thunder; Wind;  Fire; Earth; Lake; Heaven; Epilogue/Night Song

This project was premiered at the Grachtenfestival Amsterdam on August 14^th 2019.

Sarah Kapustin – violin    Roeland Jagers – viola     Sietse-Jan Weijenberg – cello

The Rubens Consort is a flexible ensemble made up of world-class musicians who share friendship and a passion for chamber music. Rooted in the rich and refined tradition of the former Rubens Quartet, the leaders of the Consort interpret masterpieces for small and large ensembles from all periods in music history. The musicians of the Rubens Consort gratefully play on instruments on loan to them from the Dutch Music Instrument Foundation.

For the coming seasons they have planned two programmes:

As part of his Chopin piano concerto no. 2 album recording and concerts with the North Netherlands Symphony Orchestra, Camiel has joined hands with Amsterdam based Club Classique to play Chopin’s piano concerto in an arrangement for piano and string quintet (string quartet optional).  Club Classique regularly appear on television for Podium Witteman and has performed at the Concertgebouw Amsterdam.