Review Camiel Boomsma in de Groene

De muziek is een klooster. Terwijl de openbare mening steeds brutaler echte kennis aan de laars lapt, verdiept een kleine groep uitverkorenen zich achter de schermen in het denken en voelen van begraven grootheden met recht van spreken. Daar zijn de pianisten, die na twee eeuwen, of bijna, Schubert en Chopin niet kunnen loslaten.

Jean Johnson and Steven Osborne (clarinet/piano)

Gershwin 3 Preludes:
Bernstein Sonata for Clarinet and Piano
Poulenc Sonata for Clarinet and piano
Brahms Clarinet Sonata No. 2 in E-flat Major, Op. 120, no. 2
Weber Grand Duo Concertant Op 48

Jean and Steven about the programme: “…The music on this programme draws inspiration from our love of jazz and jazz-influenced music, as well as celebrates two composers who were great champions of both clarinet and piano, Johannes Brahms and Carl Maria von Weber. As a clarinettist, I love playing lyrical music with lines that sing and speak, and this program is full of great melodies. All the pieces on this programme are equally weighted for both players, always being music for clarinet and piano just as much as it is for piano and clarinet.

George Gershwin is a composer whose music is deeply ingrained in the American subconsciousness. His beautifully crafted compositions secured a place for jazz and other music from the Americas into the essential American classical repertoire. It is a pleasure to play this arrangement of the Three Preludes for clarinet and piano, especially when we take a peek and see the audience’s feet tapping all together with the music.
This (2018) is Bernstein’s 100th birthday year, and the Clarinet Sonata was a young Bernstein’s first published piece. The Sonata follows on nicely from Gershwin with its hints of Copland, Hindemith, and the jazzy sounds of Manhattan.
The Sonata by Poulenc was one of the last pieces he wrote. Intended for the “King of Swing” Benny Goodman, the style is in contrast, or even in rebellion to, the impressionistic style of Debussy and Ravel and the other excesses of 19th-century music that Poulenc felt were present in the likes of Wagner. Instead, Poulenc writes clear lines reminiscent of French popular song and jazz found in the Music Hall. Poulenc passed away before he could perform the piece with Goodman, and so it was premiered in Carnegie Hall with Leonard Bernstein on the piano in 1963.

The Brahms Sonata No 2, Op 120 in E flat is one of the pieces that established us as a duo several years ago. The Opus 120 Sonatas are Brahms’ very last works and are the output of an inspired, fully-formed, master composer. The Sonata in E flat is full of friendliness, intimacy, lyricism, and conversation, and it delights in the sonority and capability of the modern piano.
The Weber Grand Duo Concertant is a brilliant showcase for both players and is an opportunity for us both to be dramatic, operatic, and display our virtuosity…”

Review Metamorphoses CD BBC

BBC Radio3 reviewed Metamorphoses’ debut CD in BBC Record Review: “…Metamophoses are fantastic, incredibly clever, tight and very polished. Beautiful frasings…”.

BBC Record Review, BBC 3, Saturday 7 April 2018

Camiel Boomsma Grachtenfestival Award

Camiel Boomsma is nominated for the Grachtenfestival Amsterdam Award. This is a prestigious award for musicians who excel in their profession and are noted for their exceptional talent. The winner will be announced on the 15th August 2018 in Hotel Krasnapolsky in Amsterdam. The winner will be Artist in Residence for a year.